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Desi Making Waves
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By Elaine G. Flores
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Bridging
the Gap
Filmmaker Valarie Kaur Brings a Message of Unity
Before you sit down to chat with Valarie Kaur—a
young woman who devoted five years to the 2006 movie Divided We
Fall: Americans in the Aftermath, a post-9/11 documentary sparked
by a hate crime; an Ivy Leaguer, who serves as a co-founding director
of the Discrimination and National Security Initiative at the Harvard
Pluralism Project and someone
whose arrest at a 2004 protest rally led to years of chronic pain
as a result of police brutality—you accurately anticipate
what she will be like: strong, serious, intelligent. What you don't
expect is the bubbly, breathless rapid-fire OMG delivery of stories
punctuated with frequent giggles, the sort of light-hearted, girly
aura that makes you imagine that when she needs a break from fighting
the good fight, you could invite her over to do each other's nails
during a Project Runway marathon.
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Valarie Kaur. Photo by Sharat Raju |
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array of topics from her love of dogs—especially Labradors—to
theology to how she persuaded her father, a lifelong Republican, to
make 109 phone calls urging voters to support Barack Obama's presidency
bid.
Kaur’s accessible demeanor, infectious enthusiasm
and high energy, no doubt, come in handy as the third-generation Sikh-American
tours the country showing screenings of her film and educating school
students on Sikhism and issues of identity and social justice. Her
speaking tour's theme can be summed up by the film's tagline: "In
a world divided into us and them, who counts as one of us?" Kaur’s
diverse audiences range from the mostly black kids at Tubman Middle
School in an economically bleak part of Augusta, GA to the mostly
white, middle-class teens at an all-girls Catholic school, the Academy
of the Sacred Heart in Bloomfield, MI, where as she recounts on her
blog, Into the Whirlwind, a girl says: "This is the
first time I've heard of the Sikh religion. Why?"
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| - Valarie Kaur created
the first course on Sikh studies at Stanford University,
where she was an undergrad student when she began work
on Divided We Fall. She also taught courses on
philosophy and religion.
- Her honors at Stanford included the
Howard Garfield Award in Religion, the Haas School Public
Service Scholar, the Asian American Leadership Award,
the Beinecke Scholarship and selection as graduation speaker
for her class. She won Stanford's Golden Medal for her
honors thesis on post-9/11 America, which eventually became
Divided We Fall.
- Kaur has been invited to speak at
more than 100 universities, schools and religious centers.
- Kaur has been featured by such news
outlets as CNN, NPR, the BBC and was in the Frances Moore
Lappe book, You Have the Power: Choosing Courage in
a Culture of Fear.
- Kaur appeared in the play Abu
Ghraib, an original student production at Harvard
University, which sparked a controversy among conservative
pundits. She wrote about the experience for Salon.com.
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To understand the drive, complexity
and free-thinking of Kaur, who received her Master’s degree
in Theological Studies from Harvard Divinity School and is now studying
law at Yale, you have to start with her family. No seriously, you
have to start with her family. It's a subject she rhapsodizes
about, lovingly describing her parents as "beautiful people.
Gorgeous, kindhearted, humble." Kaur, who has started to write
down these tales, takes the listener on an epic tour of her ancestry,
explaining, "I am who I am because of them."
There is her paternal grandfather, right out of a
Steinbeck novel. We'll call it East of East of Eden. He sailed
from Punjab to America by steamer ship in 1913 and farmed the Central
Valley of California during the time of the Asian Exclusion Act, which
prevented him from owning land or even returning to India to look
for a wife for fear that he wouldn't be allowed back into the United
States. He slept in barns and toiled for pennies a day. Years later,
when World War II broke out and his Japanese neighbors were rounded
up, he visited them in the detention camps and watched over their
land. He also joined a group of North Americans fighting to break
the British Empire's hold on India. "My father says that's where
I get my revolutionary spirit," Kaur shares.
In the early 1950s, when he was in his 50s and free
to travel to his native country for a wife, he met Kaur's grandmother,
a divorcée in her 20s, who had fled an unhappy arranged marriage.
The social constraints were such that her friends committed suicide
to escape similar situations and Kaur's grandmother seriously considered
jumping into a well until she felt a breeze that Kaur attributes to
divine intervention. Shortly after, she met the farmer, 30 years her
senior, from Clovis, California and they tied the knot, much to the
dismay of her friends and family, who gloomily predicted that she'd
never be able to have children with such an "old" man. She
proved them wrong, four times over.
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| Kaur’s maternal
grandfather, born in a village in Punjab that is now on the Pakistani
side, was a mechanic in the British Indian Army during World War II.
Kaur recounts: "There was very little water. Some of his fellow
Sikhs cut their hair. He was asked why he didn't just cut his hair
for health reasons and wear a helmet. My grandfather responded, 'But
Sir, my hair is my helmet.'" The war vet lived through the bloody
Partition of India, eventually moving to Clovis. "Your autobiography
begins before you're born. My autobiography begins with these two
men," says Kaur, "I'm very connected to my family's deeply
American roots, but I have this deep sense of my ancestral roots in
India."
Kaur also speaks often of her father, who became a marine biologist.
She paints him as quite a colorful character. "He visited India
for the first time at age 27 to find a wife. He spent his life assimilating
into the very white, very conservative, very Christian Clovis. He
did not know the protocol. He went to India wearing his Indiana Jones
hat—and this was before the movies. He would walk in
and tell them, 'I don't think this is going to work,' right there
in the living room and making these girls cry. My mom was a college-educated
city girl. Her family was modern. She said, 'There is no way I'm going
to walk into this room carrying a tray of tea. I'm not going to be
put on display.' So the tea was already on the table when my father
arrived. He asked to speak to her privately and she says, 'Don't you
feel bad coming to this country and breaking these young girls' hearts?'
Two weeks later they were married. My mom was 18."
Twenty or so minutes into the conversation, we finally get to Kaur,
who was born in 1981. She and her little brother grew up on the family
land, which at that point was no longer a working farm. She remembers
running around the peach, plum and almond trees and racing through
strawberry fields. "I'm getting nostalgic thinking about this.
When I go back home now, all of our land has been sold. The cows are
gone. The orchards are gone. It's all Starbucks and Wal-Marts,"
she says.
Nostalgia aside, it wasn't an uncomplicated childhood for Kaur, who
writes and speaks about what it means to be "in-between."
"The other Sikh kids at the Gurdwara spoke Punjabi. I spoke very
little. They had Sikh names, and I was named Valarie because I was
born on February 14. I didn't fully belong with the Sikhs," she
recalls. Nor did she seamlessly fit in outside the temple. "At
school, I went through an incredibly painful series of events. My
best friends and teachers tried to convert me to Christianity. They
quite earnestly thought it was for my own good that they 'save' me.
"
Kaur tells this story without even a trace of bitterness creeping
into her voice and even manages to laugh at the traumatic memory.
That's in keeping with a philosophy that she shares in classroom lectures:
"Feel the pain. Go to the love. Create something."
She says, "I crafted myself in a way that I never would have,
unless I was confronted with religious conversion." Kaur ended
up embracing her Sikhism and developing a point of view built on her
faith. "The heart of the Sikh religion is oneness. There's a
word [seva] that means service...Liberation and salvation
does not lie in the afterlife, it's found here and now, through service.
I fell in love with the study of religion and this call to social
justice as a way to approach conflict in the world...All my life I
thought I was in an in-between space. Finally, I found that I can
be a bridge."
That bridge has spanned some vast divisions. A young,
black man moved by her stories of discrimination against Sikhs, unknowingly
echoed the long-ago words of the war vet grandfather who refused to
cut his hair, saying, "My braids are my turban." Kaur notes,
"I've met Evangelical Christians who said, 'You and I have a
lot in common. I've also felt like an outsider.' I've met gay men
who feel the same way."
"By putting our stories out there, we can effect change. We've
been shaped by the world, but in turn, we have the power to shape
the world."
Kaur continues spreading the message. With the seventh
anniversary of September 11th approaching, there's a month-long campaign
to bring Divided We Fall into local communities. To find
locations of the screening tour, learn how to help the film reach
a wider audience by making a donation or get information on the upcoming
DVD release, visit www.dwf-film.com.
For more on Valarie Kaur, check out her blog at valariekaur.blogspot.com.
Elaine G. Flores is a feature writer for Soap Opera Digest, columnist for the St. Louis American and freelance writer. She is a member of the National Association of Black Journalists and lives in New York.
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